November 5
Tutorial T1 Morning: Analysing Physiological Data Collected During Music Listening: An Introduction
Tutorial T2 Morning: Introduction to Differentiable Audio Synthesizer Programming
Tutorial T3 Morning: Transformer-based Symbolic Music Generation: Fundamentals to Advanced Concepts, Stylistic Considerations, Conditioning Mechanisms and Large Language Models
Tutorial T1 Afternoon: Computer-Assisted Music-Making Systems: Taxonomy, Review, and Coding
Tutorial T2 Afternoon: Learning with Music Signals: Technology Meets Education
Tutorial T3 Afternoon: Kymatio: Deep Learning meets Wavelet Theory for Music Signal Processing
- Link
November 6
Opening ceremony
Keynote 1: Help! - Bridging the Gap Between Music Technology and Diverse Stakeholder Needs
Best paper candidate 1: Exploring the correspondence of melodic contour with gesture in raga alap singing
Best paper candidate 2: CLaMP: Contrastive Language-Music Pre-training for Cross-Modal Symbolic Music Information Retrieval
November 7
Keynote 2: Seeing the light through music, a blind man’s journey of discovery through audio and how to navigate making music that speaks to the world in the age of the Screen Driven universe
Best Paper Candidate 3 - BPS-Motif: A Dataset for Repeated Pattern Discovery of Polyphonic Symbolic Music
Best Paper Candidate 4: LP-MusicCaps: LLM-Based Pseudo Music Captioning
Link
Industry panel: Future of multimodal AI in Music Research
November 8
Keynote 3: Building & Launching MIR systems at industry scale
Best Paper Candidate 5 - PESTO: Pitch Estimation with Self-supervised Transposition-equivariant Objective
Best Paper Candidate 6 - Singing voice synthesis using differentiable LPC and glottalflow inspired wavetables
Link
November 9
Society Meeting, Awardss and closing ceremony